ÿþ<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <!-- saved from url=(0044)http://moca.virtual.museum/mary/marypage.htm --> <HTML><HEAD> <meta name="keywords"content="mary's page, art comment page, mary sargent, art commentary, art talk, art speak,art site, artist resource, computer art, digital art, moca.virtual.museum, moca, moca museum, art museum, virtual art museum, virtual art, art exhibit, art shows, art gallery, fractals, animations, raytraced art, rendered art, 3d art, computer drawn art, flash art, web art, new media, virtual museum, web museum"> <meta name="description" content="digital art museum, works by distinguished computer and digital artists"> <META http-equiv=Content-Type content="text/html; charset=windows-1252"> <STYLE type=text/css>A { TEXT-DECORATION: none } </STYLE> <SCRIPT language=JavaScript> <!-- function MM_preloadImages() { //v3.0 var d=document; if(d.images){ if(!d.MM_p) d.MM_p=new Array(); var i,j=d.MM_p.length,a=MM_preloadImages.arguments; for(i=0; i<a.length; i++) if (a[i].indexOf("#")!=0){ d.MM_p[j]=new Image; d.MM_p[j++].src=a[i];}} } function MM_swapImgRestore() { //v3.0 var i,x,a=document.MM_sr; for(i=0;a&&i<a.length&&(x=a[i])&&x.oSrc;i++) x.src=x.oSrc; } function MM_findObj(n, d) { //v4.0 var p,i,x; if(!d) d=document; if((p=n.indexOf("?"))>0&&parent.frames.length) { d=parent.frames[n.substring(p+1)].document; n=n.substring(0,p);} if(!(x=d[n])&&d.all) x=d.all[n]; for (i=0;!x&&i<d.forms.length;i++) x=d.forms[i][n]; for(i=0;!x&&d.layers&&i<d.layers.length;i++) x=MM_findObj(n,d.layers[i].document); if(!x && document.getElementById) x=document.getElementById(n); return x; } function MM_swapImage() { //v3.0 var i,j=0,x,a=MM_swapImage.arguments; document.MM_sr=new Array; for(i=0;i<(a.length-2);i+=3) if ((x=MM_findObj(a[i]))!=null){document.MM_sr[j++]=x; if(!x.oSrc) x.oSrc=x.src; x.src=a[i+2];} } //--> </SCRIPT> <META content="MSHTML 6.00.6001.18226" name=GENERATOR> </HEAD> <BODY text=white vLink=#cccc00 aLink=#cccc00 link=#cccc00 bgColor=#333333> <center> <font size=2.0 face=tahoma> <a href="/index.asp"> <b>MOCA HOME</b></a><br></font> <IMG height=87 src="maryhead550x87.gif" width=550 border=1> <P></center><FONT face=tahoma size=-1> <TABLE height=1500 width=780 align=center> <td>&nbsp;&nbsp; <td> </td> <TBODY> <TR> <TD vAlign=top align=left width=780><FONT face=tahoma size=2> <p><BEGIN FIRST COLUMN> <TD>&nbsp;&nbsp;&nbsp; <TD vAlign=top align=left width=426><FONT face=tahoma size=2> <p> <font size=2.0 face=tahoma> <b>Art News and Views</b> <font size=1.5 face=tahoma> <p> <b>2010-2011</b> <br> <a href="archive/marypage32.htm">- Art Fairs<br> - Modernist Movement<br> - Attract Clients</a><br> <a href="archive/marypage33.htm">- Making vs.Viewing Art<br> - Artist Tibor Kovacs-Egri</a> <br> <a href="archive/marypage34.htm">- Photography Parallel</a> <br> <a href="archive/marypage35.htm">- Damn Lies/Statistics</a> <br> <a href="archive/marypage37.htm">- Artistic Goals<br> - Challenges of a Tech Medium</a> <br> <a href="archive/marypage38.htm">- "Random Is..."<br> - Being Persuasive</a><br> <a href="archive/marypage39.htm">- "Art for Mankind"<br> - Freelance Work</a><br> <a href="archive/marypage42.htm">- Artist Block</a><br> <a href="archive/marypage44.htm">- Creating a Body of Work<br> - A Distinctive Style</a><br> <a href="archive/marypage46.htm">- Using Mats<br> - Henri Matisse<br> - Art from Stories</a><br> <a href="archive/marypage47.htm">- Art & Math/Escher<br> - Art Tutoring</a><br> <a href="archive/marypage48.htm">- Signing Your Art<br> - "Digital Art Revolution"</a><br> <a href="archive/marypage49.htm">- Importance of Abstract<br> - 'Yeah,Yeah' Revolution (Dadaism)<br> <a href="archive/marypage50.htm">- Attract High-End Customers<br> - Digital File Formats<br> <a href="archive/marypage51.htm">- Art Evaluation Process<br> <a href="archive/marypage56.htm">- A Profession in the Arts<br> - Top 10 Fine Arts College in US <br> - Cell Phone Based Art Tale <br> - Picasso's Blue Period</a><br> <a href="archive/marypage58.htm">- "Random Is?" (Part II)<br> - "In Defense of Art That Stinks"</a><br> <a href="archive/marypage60.htm">- Hi-Impact Black and White</a><br> <a href="archive/marypage61.htm">- Humor In Art<br> - How to Create a Masterpiece</a><br> <a href="archive/marypage62.htm">- Negative Space<br> - Inspiration from Famous Artists</a><br> <a href="archive/marypage63.htm">- Hidden Portraits<br> - Art Narratives/ Digital Story-Telling<br> - Gallery & Museum Etiquette</a><br> <a href="archive/marypage64.htm">- Famous Art Pranks<br> - Ethics of Digital Manipulation <br> - Do Tools Make a Difference?</a><br> <a href="archive/marypage65.htm">- Chicano Prision Art<br> <a href="archive/marypage66.htm">- "Musings on a Future Centennial"<br> <a href="archive/marypage68.htm">- Light painting on iPad<br> - Taking Digital Art Seriously<br> - Best File Format</a><br> <a href="archive/marypage69.htm">- Sex and Art<br> - Digital Textile Design<br> - Copyright Myth</a><br> <a href="archive/marypage70.htm">- Art vs.Am.Government</a><br> <a href="archive/marypage71.htm">- Man Ray<br> <a href="archive/marypage72.htm">- Elements in Art<br> - "Why Would a Human Being Who is an Artist Want to be a Machine?"</a><br> <a href="archive/marypage73.htm">- Future of Digital Art<br> - "Divinations" an experiment with Chance<br> - Second Look at 'Second Life'</a><br> <a href="archive/marypage74.htm">- "On Being An Artist" Essay<br> - Develop a New Style</a><br> <a href="archive/marypage75.htm">- Digital Coming of Age<br> - Investing In Art</a><br> <a href="archive/marypage76.htm">- War and Art; Propaganda</a><br> <a href="archive/marypage77.htm">- Bad Art...?<</a>br> <a href="archive/marypage78.htm">- What Galleries look for in Artists</a><br> <a href="archive/marypage79.htm">- Signs of Amateur Artist</a><br> <a href="archive/marypage80.htm">- Art Salons<br> - Holography/Holograms</a><br> <a href="archive/marypage81.htm">- Digital Folk Art<br> - Pieces with Text</a><br> <a href="archive/marypage82.htm">- Necessary Evil; The Artist Statement</a><br> <a href="archive/marypage83.htm">- Creativity and Novelty<br> - Edit Life, Edit Art</a><br> <a href="archive/marypage84.htm">- Censorship and Art, Part I</a><br> <a href="archive/marypage85.htm">- Censorship and Art, Part II</a><br> <a href="archive/marypage86.htm">- Photomosaic Artistry<br> - Images and the Law</a><br> <a href="archive/marypage87.htm">- Less Is More<br> - Creative Doodling</a><br> <a href="archive/marypage88.htm">- Creative Copyright<br> - Street Art</a><br> <a href="archive/marypage89.htm">- Collaborating with Other Artists</a><br> <a href="archive/marypage90.htm">- Artist Laurie Simmons<br> - "I Wanna Be a Famous Artist..."</a><br> <a href="archive/marypage91.htm">- Werner Hornung, Digital artist Interview</a><br> <a href="archive/marypage92.htm">- Role of the Artist, an Essay</a><br> <a href="archive/marypage93.htm">- How to Apply for Grants</a><br> <a href="archive/marypage94.htm">- Art is Not About Talent<br> - Talking Art</a><br> <a href="archive/marypage95.htm">- Art and the Economy</a><br> <a href="archive/marypage96.htm">- Contemporary Portraiture</a><br> <a href="archive/marypage97.htm">- Why Women Artists Get Paid Less</a><br> <a href="archive/marypage98.htm">- Video Art, Too Fast for Art Fairs?<br> - Collecting Video Art</a><br> <a href="archive/marypage99.htm">- On Becoming A Photographer</a><br> <a href="archive/marypage100.htm">- Marilyn Minter Photography<br> - Copying Old Images/Copyright Law</a><br> <a href="archive/marypage101.htm">- Artist Cao Fei<br> - Artist Florian Maier-Aichen</a><br> <a href="archive/marypage102.htm">- New Media Art Conservation</a><br> <a href="archive/marypage103.htm">- How to Make Money </a><br> <a href="archive/marypage104.htm">- Top 10 Video Editing Software</a><br> <a href="archive/marypage105.htm">- Introducing Yourself to a Gallery<br> - Preparing Press Releases<br> - ACLU and Artistic Freedom</a><br> <a href="archive/marypage106.htm">- Best Digital Instruction</a><br> <a href="archive/marypage107.htm">- "Age Shall Not Wither Her" <br> - The Hockney/Falco Theory</a><br> <a href="archive/marypage108.htm">- "Important Artists of Today" <br> - Artist Lucas Samaras<br> - Digital Graffiti</a><br> <a href="archive/marypage109.htm">- Working with Fine Art Reps<br> - Paint in 3D Via Your Webcam<br> - Transmedia Storytelling<br> <a href="archive/marypage110.htm">- Master Manipulator<br> - The Future of Art and Art Criticism<br> - Improve Art Website<br> <a href="archive/marypage111.htm">- Artist Renata Spiazzi<br> <a href="archive/marypage112.htm">- Selling on eBay<br> - How to Get Art Grants<br> <a href="archive/marypage113.htm">- All About Photography<br> <a href="archive/marypage114.htm">- Digital Illustration<br> - Citing websites in APA format<br> - Weak Gallery System<br> - Musical Tablets <a href="archive/marypage115.htm">- Social Media; Force For Good<br> - Art of Engaging an Audience<br> - Challenges; Presenting and Preserving New Media Art<br> - Photographing Food; Tips<br> <a href="archive/marypage116.htm">- Philanthropy and the Artist<br> - The Art Assembly Line: Art Assistants<br> - Step To Develop Your Art Career</a><br> <p> <p> <left> ________________________________ </left> <p><p> <TD>&nbsp;&nbsp;&nbsp; <TD vAlign=top align=left width=526><FONT face=tahoma size=-2> <p> <END FIRST COLUMN> <p> <BEGIN SECOND COLUMN><TD>&nbsp;&nbsp;&nbsp; <TD vAlign=right align=left width=300><FONT face=tahoma size=-2.0> <p> Dear  Mary s Page Readers and Followers& <p> There are over 100  Mary s Pages available for your consideration on the MOCA website. The links to these pages are listed here and will remain posted until such time as they are deemed irrelevant or no longer of value. <p> Gathered over the past two years, this unique collection of articles and perspectives represent an attempt to bring to the digital and new media arts community, information, tools and inspiration for the betterment and continued growth of digital artists and our respective artistic mediums. <p> Be on the look-out for revamped  News, Views and Commentaries from MOCA in 2012 and in the mean time check out our array of intriguing EDITORIALS! <p> Thank you for your interest and dedication. <p> All the best to you and yours,<br> <I>Mary</I> <p> <p> <p> This page posted 11 September 2011<p> <p> <p>For previous <i>Mary's Page</i> articles, news, views, and commentaries on an array of art topics enter your topic in the SITE SEARCH feature on MOCA's Home Page. <p> <p> <a href="http://www.dpandi.com/DAPTTF/glossary.html ">DIGITAL GLOSSARY OF TERMS</a> <p> <a href="http://www.facebook.com/home.php"><img src="facebook.gif" width=144 height=44 border=1></a> <p> <p> <a href=http://www.collectorsguide.com/fa/fa100.shtml>Digital Fine Arts: A Collectors Guide</a>, by JD Jarvis<br> Print and share this information! <p> "Mary's Page" is visited by thousands of artists from over 36 countries. <p> <p> <END SECOND COLUMN> </FONT></P></TD></TR></TBODY></TABLE></FONT></P><script type="text/javascript"> var gaJsHost = (("https:" == document.location.protocol) ? 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